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Virupaksha review: Samyuktha leaves a mark as village belle in this mystical thriller
Sulaikha Manzil review: Delves into big fat weddings and realities faced by couples
Neelavelicham review: Aashiq Abu’s experimental movie is a technical upgrade of 1964’s ‘Bhargavi Nilayam’
Yaathisai review: Dharani Rasendran’s directorial debut impresses despite its minor flaws
Change of cinematographers becomes a disturbing trend in Tollywood!
Exclusive: ‘Ram Setu’ opened a lot of doors for me, says actor Satya Dev
Popular characters that inspired superhit film series in Kannada
Jubilee web series review: A gripping saga that transports viewers to the 1940s
Exclusive interview: ‘Ugram’ is the story of a good cop, says director Vijay Kanakamedala
Rudhran review: A tried-and-tested formulaic film from Kathiresan
Review: Shaakuntalam is an epic story that doesn’t match up to the expectations of audiences
Madanolsavam review: Suraj Venjaramoodu and Babu Antony win the brownie points in this political satire
Shaakuntalam review: Samantha stands out as Shakuntala in Gunasekhar’s mythological drama
Shivaji Surathkal 2 review: Ramesh Aravind’s 103rd film is a seesaw between the personal and professional life of a detective
Thiruvin Kural review: Harish Prabhu’s thriller reflects the grim reality of our government hospitals
Ripupbury review: Good performances and humour make it a breezy entertainer
Soppana Sundari review: A decent comedy-drama that entertains despite its drawbacks
Exclusive: ‘Shaitan’ is a refreshing crime drama, says Kannada actor Rishi
Exclusive: ‘Virupaksha’ is four years of my labour and love, says director Karthik Varma Dandu
Exclusive: ‘Pookkaalam’ explores the feelings of an elderly couple that are often given less importance, says director Ganesh Raj
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Telangana’s quiet double-engine Sarkar — Part 2: The politics of pretend opposition