Om Bheem Bush review: The hit trio of ‘Brochevarevarura’ falls short in replicating pure humour

Sree Vishnu, Rahul Rama Krishna, and Priyadarshi have attempted something new in their latest outing — Om Bheem Bush.

The hit trio of Brochevarevarura (2019) experimented with dark-buddy comedy with a tinge of horror this time.

But, as Sree Vishnu claimed in his interviews, Om Bheem Bush is not as entertaining as his previous film Samajavaragamana (2023) or for that matter, Brochevarevarura.

Let’s see how this “zero-logic-only-magic” horror comedy fares at the box office:

Synopsis

Three friends — Krish, Maddy, and Vinay — stumble into getting PhDs by accident and decide to make money with their newfound prefix “Dr”.

They pose as problem solvers called “Bang Bros” in the sleepy village of Bhairavapuram. They inadvertently interrupt the local agora group and trick them into finding treasure in the haunted palace named “Sampangi Mahal” in the neighbourhood.

As the friends enter the mahal, they encounter unexpected challenges. To uncover the truth about the treasure and the mahal, they seek guidance from Om Bheem Bush, who holds the key to the mystery behind Sampangi and the mahal’s story.

Also Read: Watch ‘Om Bheem Bush’ with your friends to double your excitement, says Sree Vishnu

Analysis

The introduction of Om Bheem Bush starts in “Sampangi Mahal” but swiftly transitions into what could be labelled as conventional entertainment in Telugu cinema.

The initial 20 minutes primarily centred around actor Srikanth Iyengar’s subplot involving the three protagonists — Sree Vishnu, Rahul Ramakrishna and Priyadarshi — look largely formulaic and mundane.

But the movie manages to sustain its entertainment quotient throughout.

In the horror genre, narratives often adhere to the conventional trope of characters exploring a haunted location, uncovering the backstory behind the ghost, etc.

This horror-comedy, too, follows a similar pattern, but what sets it apart is the trio’s comedy timing, and their witty exchanges, which elevate it into an enjoyable viewing experience.

When the narrative pans to the “Bhairavapuram” setting, the appeal gets amplified, particularly with the introduction of the “Bang Bros” concept.

This is when a slightly greater dose of comedy is injected into the storyline. Some sequences stand out for their “Lol” moments, although you may find a few forcible comedy scenes deliberately infused to break the rhythm.

Sree Vishnu, Priyadarshi, and Rahul Ramakrishna have gone by the rulebook to dish out complete comedy. Most of these antics rely on slapstick humour.

But you can’t dismiss outrightly, because they occasionally fell short of delivering truly memorable moments.

In the first half, Sree Vishnu and Rahul Ramakrishna pepper their dialogues with puns laced with subtle adult humour. This elicited some laughs from the audience.

Performances

In Om Bheem Bush, the three main characters add weight to the plot. They skillfully portray themselves as either overly clever or exceptionally foolish, resulting in laughter from the audience.

The camaraderie of Sree Vishnu, Priyadarshi, and Rahul Ramakrishna in Brochevarevarura is replicated in Om Bheem Bush. They are ideally suited for the lead roles.

Sree Vishnu adeptly presents himself with the required attitude and body language to establish himself as the primary lead among the trio.

His strength lies in his dialogue delivery, which enhances the appeal of his character.

Priyadarshi and Rahul Ramakrishna effortlessly slip into their roles. They leverage their expertise in delivering well-written one-liners.

Preity Mukundhan’s character feels underdeveloped with sporadic appearances and serves only to remind us of the need for a leading lady for the main protagonist.

The music in Om Bheem Bush, composed by Sunny MR, is not so exhilarating. The songs quickly fade from memory once they conclude.

Despite this drawback, Sunny manages to deliver a satisfactory background score. The on-screen visuals lack distinction.

Despite the limited budget, Raj Thota’s camerawork stands out and showcases an eye for visuals. He successfully avoids giving the film an outdated feel considering its rural setting.

Additionally, the VFX work brings a fresh appeal. However, the editing by Vijay Vardhan Kavuri leaves much to be desired, with many scenes feeling disjointed, repetitive, and dull.

Verdict

Om Bheem Bush has a refreshing take on the supernatural subject. It has plenty of laughs but falls short of becoming a pure comedy entertainer.

The buddy comedy is enjoyable for a single viewing, providing lighthearted entertainment without much depth.

(Views expressed here are personal.)