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Entertainment
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Charles Enterprises review: A divine comedy ruined by a ‘hole-y’ plot and poor storytelling
Jackson Bazaar Youth review: A powerful musical that speaks about relevant social issues faced by the underprivileged
Anni Manchi Sakunamule review: A well-made entertainer in typical Nandini Reddy style
Newsense: A well-made web show that gives an insight into the nexus between media and rural politics
‘Yaadhum Oore Yaavarum Kelir’ movie review: Informative, but not entertaining
Daredevil Musthafa review: Shashank perfectly delivers the best of Tejaswi’s work that brilliantly emphasises communal harmony
‘I’m more conscious about my second film,’ says Cinematographer Acharya Venu
Exclusive interview: ‘Waiting to make the leap’, says Sara Arjun
Team ScriptBox talks about the jigsaw puzzle of writing for the OTT space
Exclusive interview: I was the chief guest for ‘Ajagrata’ but ended up being the heroine: Radhika Kumaraswamy
As Karnataka election ends, Sandalwood marks return to normalcy with line-up of big releases
Exclusive: ‘IB 71’ is a prelude to Ghazi, says director Sankalp Reddy
Custody review: A competent cop drama that keeps the viewers invested in spite of its shortcomings
My rebirth as an actor is all because of Vetrimaaran, says Sardar Satya
Janaki Jaane review: A subtle jibe at today’s politicians made good by the actors
Custody review: Arvind Swami and Priya Mani save this boring formulaic film from sinking
Farhana review: Dispels the wrong perceptions about working women
Neymar review: An enjoyable ride from Mathew Thomas and Naslen
Saas Bahu Aur Flamingo review: Dimple Kapadia & Co lead this formidable tale of badass women
Review: Poor narration makes ‘Raavana Kottam’ a pale shadow of what it could have been
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‘Not averse to criticism’: Keralam CM Satheesan says policy decisions will follow consultations with Congress, UDF