South First culture stories 2024: Celebrating the rich heritage of Southern India

With a focus on unique traditions, arts, languages, festivals, and contemporary cultural movements, these stories delved deep into the roots of Southern India’s cultural identity

Published Dec 31, 2024 | 7:00 AMUpdated Dec 31, 2024 | 7:00 AM

South First culture stories 2024: Celebrating the rich heritage of Southern India

In 2024, South First continued to spotlight the vibrant and diverse cultural tapestry of Southern India through the specially curated Culture Stories. 

From the classical dance forms of Bharatanatyam and Kathakali to the evolving landscapes of modern music, cinema, and literature, South First explored how traditional and contemporary elements are shaping the cultural future of the region.

‘Lady Bhagiratha’ is done chasing water. Meet Gowri Naik who single-handedly digs wells in Karnataka village

South First reported on Gowri Naik, known as “Lady Bhagiratha,” who single-handedly digs wells in her village of Ganesh Nagar, Uttara Kannada. Despite facing opposition from villagers and officials, her determination has ensured water access. At 58, her relentless spirit continues to inspire, despite challenges.

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Blossoms of dedication: Gardeners of Lalbagh — the unsung heroes of the famed Flower Show

South First highlighted the unsung heroes behind Bengaluru’s famed Lalbagh Flower Show — the dedicated gardeners. The biannual event, held every January and August, transforms the Lalbagh Glasshouse into a vibrant spectacle of flowers. The report celebrated the gardeners’ relentless hard work and commitment, whose efforts make the horticultural masterpiece possible.

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Onavillu: Art and craft meet faith at Kerala’s Onam festivities

South First reported on the Onavillu, a ceremonial bow integral to Kerala’s Onam festivities, highlighting its deep cultural and spiritual significance. Crafted from select wood, each Onavillu is adorned with intricate miniature paintings, reflecting centuries of tradition. The article celebrated the bow’s role in the rituals at Sree Padmanabhaswamy Temple, blending art, craft, and faith.

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King Kothi and Erram Manzil: The forgotten Nizam-era palaces of Hyderabad

South First reported on the deteriorating state of Hyderabad’s Nizam-era palaces, King Kothi and Erram Manzil, calling for restoration and preservation. The article described King Kothi’s neglected condition, with peeling plaster, moss-covered walls, and overgrown vegetation, highlighting the fading remnants of its former grandeur and the urgent need to protect these historical landmarks.

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When the world is a beach: Life, dreams and passion converge at the Marina

South First reported on the resilient beach vendors of Chennai’s Marina, highlighting their daily struggles and dreams. Despite earning little, they return each day driven by their love for the sea and hope for a better future. The article painted a poignant picture of their quiet, enduring presence amid the constant flow of visitors

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Me Too in Mollywood over decades: The persistent allegations and unsolved mysteries

South First reported on the enduring challenges women face in Mollywood, tracing allegations of sexual exploitation from the time of PK Rosy to the present. The article highlighted the unsolved mysteries of suspicious deaths of female actors hinting at harassment, and the ongoing “Me Too” movement, spotlighting both courage and sacrifice in the battle against patriarchy

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Kaanu: A glimpse of South India’s Adivasi knowledge centre

South First reported on the Kaanu Collective, a new project aimed at documenting and preserving the histories, languages, and cultural practices of South India’s tribal communities. Formed by Adivasi and non-Adivasi scholars, the initiative seeks to create a knowledge center that amplifies the voices and narratives of South Indian Adivasi communities.

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Of a grand fest, flowers, nimble fingers on a Kochi street — and the sorrow of oleander

South First reported on the vibrant seasonal flower market at Kochi’s Paramara, where women vendors thrive during the Onam festival. The article highlighted how their sales sustain them for months, as flowers are integral to the floral carpets honouring King Mahabali. Despite rising demand, these women preserve the tradition, symbolising resilience and festivity.

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The Bleeding Gods of Kerala; Another Theyyam season awakens in Malabar

South First reported on the mesmerising Theyyam performances of North Malabar, where artists, seen as living gods, undergo intense rituals, including jumping into fire pits 101 times. The article explored how Theyyam blends humanity with divinity, elevating performers to a divine realm. This sacred art form revives ancient rituals, honoring the body as a vessel for the divine.

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Chenkalchoolayile Ente Jeevitham: Marginalised Kerala woman’s book becomes essential reading in universities

South First reported on Dhanujakumari S, a marginalized woman from Kerala, whose book Chenkalchoolayile Ente Jeevitham has become essential reading in universities. Once a school dropout, she now collects non-degradable waste for a living. The article highlighted her resilience, determination to overcome her circumstances, and the recognition her work has received in academic circles.

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Who is Ailamma, after whom a university in Telangana is being named?

Chakali Ailamma, a key figure in the Telangana Peasant Armed Struggle, whose legacy is being honored by renaming a women’s university in her memory. The article explored how As identity movements and the Telangana statehood struggle grew, Ailamma’s name and image were revived and used by political parties to appeal to women, backward castes, and the washermen community, becoming a tool in vote bank politics.

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Gangamma jatara turns Tirupati feminine — but scholars, devotees feel ‘Shakti’ is sacrificed at altar of upper-caste hegemony

South First reported on the Gangamma Jatara in Tirupati, highlighting concerns over the Brahmanisation of the local folk deity. Scholars and devotees criticised the shift in Gangamma’s identity, claiming it diluted her original significance. The article also recounted the legend of Palegondulu, whose terror was ended by Gangamma’s wrath, marking her triumph over injustice.

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