150 years of performance: Swan Lake, the triumph of a classical ballet and its composer
Swan Lake made its debut at the Bolshoi Theatre in Moscow on 4 March 1877 with the choreography by Julius Wenzel Reinsinger, ballet master at the Bolshoi Theatre.
The Hussain Sagar lake filled with rain water. (Sai Charan Sana/ South First)
Synopsis: This year, the world is celebrating the 150th anniversary of the debut performance of the ballad, Swan Lake, of Russian Classical composer Pyotr Tchaikovsky. The music of Swan Lake is inspired by 19th-century Russian Romanticism, dealing with myths and legends. The ballet is a dream performance for dancers and is treated as an esteemed musical form.
As my mind drifted towards Swan Lake, a classical ballet, while watching the beautiful swans at the Hussain Sagar Lake in Hyderabad, I realised that we are celebrating the 150th anniversary of its debut performance this year. The Swan Lake was written and composed by the Russian Classical composer Pyotr Tchaikovsky.
Now the question arises: What’s the significance of this ballet, and why should we celebrate this occasion? Well, the answer was very deftly and wonderfully provided by the Russian premier Ballerina Ulyana Lopatkina, Principal at the Mariinsky Ballet.
“What do you think the Ballet world would have been if it didn’t have Swan Lake? Without Swan Lake, how can we imagine classical ballet? I think it’s the first famous and genius ballet in the classical style,” she said.
Swan Lake is a marvel and a work of musical genius. Ulyana elaborated in a BBC documentary, Tchaikovsky: The Creation of Genius, that historically, there weren’t enough “serious music and serious composers” for ballet, unlike opera, where they had a lot of genius music and composers.
Hence, Tchaikovsky, in her opinion, is the first musical genius in the realm of ballet. According to most musicians and ballet artists, Pyotr Tchaikovsky transformed and revolutionised the form of Ballet musically and in terms of the narrative or storyline.
The music of Swan Lake is inspired by 19th-century Russian Romanticism, dealing with myths and legends.
The narrative of Swan Lake, touching upon themes of love, betrayal, deception, unrestrained power, redemption and finally forgiveness, is ingenious and brilliantly written, with its focus on the tragedy of an unfulfilled, traumatic love affair.
It’s often speculated that the narrative of the composition was inspired by Germanic Fairy tales, which often deal with Phantasmagorical themes of interplay and conflicts between good and evil — specifically, The Stolen Veil by Johann Karl August Musäus.
History of resurrection and revival
The origins of Swan Lake can be traced back to the commissioning of the ballet by Vladimir Petrovich Begichev, director of the Moscow Imperial Theatre, to Pyotr Tchaikovsky, which he completed within a year. Swan Lake made its debut at the Bolshoi Theatre in Moscow on 4 March 1877 with the choreography by Julius Wenzel Reinsinger, ballet master at the Bolshoi Theatre.
Initial response from the audience and critics was disastrous, and the ballet only invited scorn and ridicule.
However, Swan Lake made its revival and dramatic impact when it was performed at the Mariinsky Theatre in St. Petersburg in 1895, by which time Tchaikovsky had passed away.
From that time, Swan Lake has come a long way; in the contemporary world of Western Classical music, Swan Lake is the most elegant and perfect ballet form, with most of the dance movements and expressions integrated into the design.
The ballet is a dream performance for dancers and is treated as an esteemed musical form. Tchaikovsky ushered in ingenuity in the art and musical form of ballet with his emotionally intense, vibrating music, which struck deep chords in the hearts and souls of the audience.
The music was symphonic for a ballet with pathos-filled, genteel and elegant notes conveying the feelings of yearning for beauty. The opening tune, which is now played widely, is soulful and seductive and a sound which is open, warm with its allure of beauty, fear and this pursuit of fulfilment of emotions.
The music keeps striking deep chords within us, with the audience seeking more of this melancholic emotional experience.
The narrative or storyline at its heart is the tragic, doomed love story between Prince Siegfried and Princess Odette, who has been sadly cursed by a sorcerer, von Rothbart, to be a swan by day and human by night. However, the only way to crack the spell is if she finds someone who was deeply in love with her.
Meanwhile, Prince Siegfried’s coming of age is being celebrated by his mother in a royal ball, where she persuades Siegfried to choose a bride as his life companion. Siegfried is reluctant to go down the matrimonial path suggested by his mother and embarks on a hunting trip with his friends that very night, a bright moonlit night.
In that hunting trip, he chases a group of swans, where one from that flock transforms into a young, majestic, beautiful woman — Princess Odette. Prince Siegfried is captivated by the beauty and grandeur of the Princess Odette, who explains the curse with a tinge of sadness and how it can be broken by a man pledging his heart in love.
Being stirred with emotions of empathy and being entranced by her charm, Prince Siegfried proudly declares and proclaims his love for Odette with the promise of eternal loyalty and friendship.
This draws the ire of von Rothbart, who plots and schemes a deception game on Siegfried by introducing him to his daughter Odile, with whom he dances at a ball. Siegfried is beguiled to believe that Odile is Odette, the gorgeous Princess-swan he met during the hunting trip. He ends up professing his love for her and seeks her hand in matrimony.
Fairly soon, his absolutely erroneous decision dawns on Siegfried. He rushes headlong to the lake to seek forgiveness from Odette, who is obviously upset and heartbroken. Odette, in her generous spirit, forgives Siegfried. But being completely forlorn, she feels completely dejected and jumps into the lake and drowns herself. Odette is followed in her self-destructive mood by Siegfried, who gives up his life by drowning in the lake.
According to the script narrative, both Siegfried and Odette are united in eternal love in a distant world which is far away from our temporal world.
The tragic ending is very haunting for most of the audience, with the message of the transcendentalism of unrequited love, which can bear fruition beyond our mortal existence. Even nearly one and a half centuries later, Swan Lake continues to enchant the audience as a musical ballet.