#Entertainment

HER: Chapter 1 review: Ruhani Sharma hauls this crime thriller forward, but fails to sustain momentum in the end
Kolai review: Artificiality and slow pace dampens this investigative thriller
The Trial web series review: A gripping drama that goes much beyond the courtroom
Sathiya Sothanai review: A genuinely funny film that reflects the sorry state of affairs in the police force
Hidimbha review: This marauding beast doesn’t really pack a punch
A WhatsApp forward from Salem led to ‘Baby’: Writer-director Sai Rajesh Neelam
Cisgender actors play transgender persons as if it is an acting challenge: Neeraj Churi
Here’s the biggest lesson that Priya Prakash Varrier learnt from Pawan Kalyan
I want to sing, dance, and do commercial cinema: Ruhani Sharma
37 years of ‘Rajavinte Makan’: The cult film that made Mohanlal a ‘Superstar’ overnight
Hostel Days review: This college caper is entertaining and relatable, particularly to hostelites
‘Mangalavaaram’ was physically and emotionally draining, says Payal Rajput
‘Balagam’ transcends language and cultural barriers: Director Venu Yeldandi
Damayana review: A fine tale of a man who reflects the mentality of work-shy class
Aparoopa review: Mahesh Babu is back with the basics for newcomers
Maaveeran review: Director Madonne Ashwin is back with yet another fascinating story
Padmini review: Senna Hegde’s latest outing makes you laugh and also think
Baby review: This emotional love story will tug at your heartstrings
Baba Black Sheep review: A film with two different halves
Exclusive: I was struggling despite delivering five blockbusters in Kannada: Director Nanda Kishore

#Entertainment

HER: Chapter 1 review: Ruhani Sharma hauls this crime thriller forward, but fails to sustain momentum in the end

Kolai review: Artificiality and slow pace dampens this investigative thriller

The Trial web series review: A gripping drama that goes much beyond the courtroom

Sathiya Sothanai review: A genuinely funny film that reflects the sorry state of affairs in the police force

Hidimbha review: This marauding beast doesn’t really pack a punch

A WhatsApp forward from Salem led to ‘Baby’: Writer-director Sai Rajesh Neelam

Cisgender actors play transgender persons as if it is an acting challenge: Neeraj Churi

Here’s the biggest lesson that Priya Prakash Varrier learnt from Pawan Kalyan

I want to sing, dance, and do commercial cinema: Ruhani Sharma

37 years of ‘Rajavinte Makan’: The cult film that made Mohanlal a ‘Superstar’ overnight

Hostel Days review: This college caper is entertaining and relatable, particularly to hostelites

‘Mangalavaaram’ was physically and emotionally draining, says Payal Rajput

‘Balagam’ transcends language and cultural barriers: Director Venu Yeldandi

Damayana review: A fine tale of a man who reflects the mentality of work-shy class

Aparoopa review: Mahesh Babu is back with the basics for newcomers

Maaveeran review: Director Madonne Ashwin is back with yet another fascinating story

Padmini review: Senna Hegde’s latest outing makes you laugh and also think

Baby review: This emotional love story will tug at your heartstrings

Baba Black Sheep review: A film with two different halves

Exclusive: I was struggling despite delivering five blockbusters in Kannada: Director Nanda Kishore

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