Panelists explored the challenges facing South Indian languages in the modern world and discussed ways to preserve and promote the linguistic treasures.
Published Aug 10, 2024 | 6:36 PM ⚊ Updated Aug 11, 2024 | 10:58 AM
Book Brahma Literature Festival.
Sita’s pensiveness added vibrance to the Book Brahma Literature Festival as Bengaluru celebrated the depth and diversity of South Indian languages and Art.
Singer Bindumalini set the raga — eponymous — for day two of the three-day fest at St John’s Auditorium with a mellifluous rendition of Morning Melody.
The inaugural session, “South Indian Languages: The Question of Existence,” featured speakers such as O.L. Nagabhushanaswamy, Paul Zacharia, Perumal Murugan, Vadrevu Chinnabludrudu, and Pratibha Nandakumar.
The session explored the challenges facing South Indian languages in the modern world and discussed ways to preserve and promote these linguistic treasures.
Media’s role in preserving regional literature was highlighted in “The Role of Media in Keeping Alive the Literature & the Culture of the Land,” with insights from industry veterans like Mayura Shreyama Kumar, K Srinivas, S R Ramakrishna, and Bhageshree.
Women’s autobiographies in Telugu were explored by panelists C Mrunalini, Kathyayani Vidmahe, K N Malleswari, and P Jyothi, who discussed the unique narratives and experiences documented in these works.
In “Tamil Dalit Literature: Challenges & Achievements,” speakers such as Sukirtharani, moderated by Kamalalayan, and Stalin Rajangam engaged in a powerful discussion on the evolution and impact of Dalit literature in Tamil Nadu, focusing on its role in giving voice to marginalised communities.
“New Reading on Classical Characters — Pensive Sita” presented fresh interpretations of iconic characters from Indian epics, with speakers like KV Sajay, Alankode Leelakrishnan, Govindavarma Raja, and TP Vinod offering their perspectives.
Malayalam classical poet Kumaran Asan’s more-than-a-century-old Pensive Sita looks at the mythological character from a different perspective, portraying her as a thoughtful, assertive and independent individual.
Throughout the festival, the Chinna Loka section catered specifically to children with a variety of engaging activities. Children enjoyed an “English Storytelling Session,” led by Samantha Hegde, and a Kannada storytelling session by Tammanna Beegar, sparking their imagination and creativity.
Tanushree introduced traditional board games, offering a delightful mix of learning and play.
An “Art Master Class” was conducted by renowned artists Raghupathi Sringeri, Shylaja, and Santhosh Sasihitlu, where children explored different artistic techniques and expressed their creativity under expert guidance.
The festival also featured performances such as “Nirdigantha,” designed by Dr Shripad Bhatt and presented by a talented ensemble including Shalom Sannata, Anash Shetty, Munua Mysore, Krishna Chaitanya, and Rohit Sridhar.
In addition, the “Book Brahma Independence Day Short Story Competition Awards-2024” recognised outstanding literary talent, with Benyamin, the author of The Goat Life, announcing the winners and distributing the awards.
A subsequent conversation with Benyamin, moderated by Sreejith Kadiyakkol and Sudhkaran Ramantali, provided attendees with a deeper understanding of his literary contributions.
The fest offered a comprehensive exploration of South Indian culture, literature, and the arts, making it an enriching experience for all ages. From storytelling sessions for children to in-depth literary discussions, the event was a true celebration of the region’s cultural heritage.
(Edited by Majnu Babu)
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