Saanve Megghana and Sangeeth Shoban in ‘Prema Vimanam’. (X)
Director Santhosh Kata tries to weave a rags-to-riches story on the screen.
The two young boys, who struggle for a proper meal a day, are drawn to aircraft and flying. They don’t even know the reality of what it takes to board an aircraft.
By the time they know it, their goal keeps shifting gears — becoming a pilot.
But it would take a lot to convince how a village boy without proper education can nail an exam to operate a commercial aircraft. Sadly, it is not shown. That’s where the story goes for a toss.
Scenes like the farmer’s suicide, the love track between Mani and Abhitha, and the characterisations in the first half are routine and make you sleepy.
Even before it keeps you desperately waiting for the interval to come, some scenes get replayed on the screen as if to check whether the batsman is on the crease before the bails are taken off.
Though the film is predictable, the second half has its moments.
It’s like scoring 70-odd runs from 25 overs against puny Afghanistan. Rather than feeling thrilled, you feel sorry for poor Afghan bowlers getting smashed all over the park.
The comedy track isn’t so funny. The twists don’t hold the excitement enough.
Sangeeth Shoban must have cursed himself for the dull content after he made headlines with his recent campus drama MAD (2023), a hit.
But he does a good job as Mani, the character of a small village merchant. His innocence and daredevilry act of eloping with a landlord’s daughter is brilliant.
Saanvee Megghana as Abhitha is good. The sequences with her boyfriend Mani are good but they could have been better.
Master Devansh Nama and Master Anirudh Nama are decent.
Apart from their performance, no serious attempt has been made to capture the innocence of the young faces. The naive minds, their act of stealing money, and how they face the outside world — all these aspects don’t look artistic on the screen.
Anasuya Bharadwaj is impressive with her portions as Shantha.
The talents of Vennela Kishore and Abhay Bethiganti haven’t truly been utilised.
The story of Prema Vimanam is driven by songs. However, it is not as convincing as the background score rendered by Anup Rubens.