Ponman's script by GR Indugopan and Justin Mathew is one of its main highlights. It features well-developed characters.
A poster of the film 'Ponman'. (X)
Basil Joseph’s new movie Ponman based on GR Indu Gopan’s novel Nalanchu Cheruppakkar, had high expectations.
This is also the actor’s second film this month, following the success of Pravinkoodu Shappu.
Set in Kollam district, the film explores Christian marriage customs in the region, with a focus on the ongoing issue of the dowry system. Since it’s based on a novel, the characters are well-developed, and the story is deeply rooted in the culture.
Let’s take a look at what the movie has to offer.
Ajesh Kumar (Basil Joseph) works in the jewellery business, supplying wedding jewellery on credit to families who can’t afford it upfront.
Stefi, played by Lijo Mol, borrows the jewellery from Ajesh during her wedding with Mariano, played by Sajin Gopu.
She is compelled to borrow jewellery due to the pressure from her in-laws, who insist on a hefty dowry. Her brother, portrayed by Anand Manmadhan, is of little assistance—he’s a left-wing activist who prioritizes his political work over earning a steady income.
The jewellery is given to Stefi with the promise that it will be returned after the wedding. However, Stefi can’t return it, fearing it will affect her marriage. Ajesh needs to pay back his financier, and the struggle to get the gold back leads to intense moments.
The film revolves around Ajesh’s efforts to reclaim the gold, with plenty of suspense and tension, making it an engaging watch.
Ponman’s script by GR Indugopan and Justin Mathew is one of its main highlights. It features well-developed characters.
Ajesh is determined to get back the gold, not through blackmail, but by using his own clever methods. He has a family to support, and his actions are driven by his job. Look out for the scenes involving his encounters with Mariano.
The writers have crafted a script with a strong first half that sets up expectations for the second. The second half is filled with intriguing moments, including some action sequences.
The script also gives importance to key characters. Mariano, the villain, is well-developed with a clear negative attitude from the start. In the second half, he takes on a larger role, with his portrayal of a ruthless character and his zero-tolerance approach to his wife standing out.
Lijo Mol’s Stefi becomes a bold character as the story unfolds. Although she was forced into a marriage with a man she didn’t choose, she grows stronger over time.
The setting in Kollam, with its backwaters and fishing culture, adds to the film’s atmosphere. The movie primarily addresses the ongoing issue of dowry in today’s society.
Jothish Shankar, the director of the film, also handled the art direction. The settings in the coastal areas of Kollam, the prawn farm, and other required elements were well executed by the art department.
The cinematography by Sanu M Varghese is a major strength of the movie. He beautifully captures the backwaters, islands, boats, and the essence of Kollam. The introduction song, showcasing the major landmarks of Kollam, is also well done. The night scenes, particularly the climax fight, are skillfully choreographed and shot.
The songs composed by Justin Varghese complement the film’s flow. The wedding song, introduction song, and melody all play their part effectively. The background score enhances various scenes, especially the intense moments between Ajesh and Mariano.
The movie features strong performances from its lead actors. Basil Joseph as Ajesh delivers an impressive performance, with the role feeling very personal to him. His portrayal captures the depth of the character and conveys the right amount of emotion, making it arguably his best performance yet.
Sajin Gopu as Mariano also stands out. After his role as Amban in Aavesham (2024), he brings a strong presence to this character. His masculine demeanour and effective dialogue delivery resonate well on screen.
Lijo Mol, who recently appeared in the web series Her, gives another strong performance as Stefi. Her transformation from a helpless woman to a stronger character is impressive, making it another notable role after Nadanna Sambhavam (2024).
Anand Manmadhan as Bruno portrays an unemployed political activist. His portrayal of a character-focused solely on his party work adds depth to the film, and his performance impresses once again.
Deepak Parambol, with his long-haired look as Sharma, delivers a solid performance as a loyal friend willing to do anything for those he cares about.
Ponman shines in its presentation and storytelling. The power-packed performances by Basil Joseph, Lijo Jose and Sajin Gopu are the major highlights of the movie.
(Views expressed here are personal, edited by Sumavarsha)
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