The Great Indian Family review: Vijay Krishna Acharya’s plea for inclusivity in diversity

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By Prabhatha Rigobertha

23/09/2023

The Great Indian Family, on the surface appears as a misfit for director Vijay Krishna Acharya but he pleasantly surprises us, particularly, when the film gets to the meat of the story.

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The Great Indian Family does take time to get going. Vicky Kaushal’s scenes with his two friends don’t add much to the film.

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Manushi Chillar’s entry only further slackens the proceedings. Her attempt at being a Punjabi firebrand is rather laboured. There is zero spunk.

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Vicky’s chemistry with Manushi has none of the sizzle that he shared with Sara Ali Khan in Zara Hatke Zara Bachke (2023).

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The best portions of the film are where Ved Vyas (Vicky Kaushal) is going through an existential crisis. It is in these bits that the directorial skills of the director come forth.

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Manoj Pahwa plays a citizen who is good at heart but can get easily influenced by WhatsApp forwards. But the director makes sure that he doesn’t become a caricature.

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What pulls the film apart from the female lead is the lacklustre music. The only song that works in The Great Indian Family is “Kanhaiya Twitter Pe Aaja”.

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The story of The Great Indian Family might sound a little clichéd and a filmy attempt at unifying religions in these difficult times. But it is still an effort that needs to be appreciated.

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