Lalithambika Antharjanam, the pen that men could not cast out

Kerala

By Sarita Mohanan Bhama

February 6, 2023

Lalithambika Antharjanam was born in 1909. Antharjanam, the caste name for women in Namboodiri households, literally means one who stays indoors.

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The Namboodiri caste lived by a rigid patriarchal code, secluding girls in the kitchen, marrying pre-pubescent girls to grooms half a century older than them.

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Lalithambika’s family homestead was, in those days, a hideout for freedom fighters (some in the Congress party, some who later joined the Communist movement).

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Her mother Arya, only 15 years older than her, was her best friend. Arya secretly wrote poetry, read Tagore’s poems to her, nourishing her imagination.

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Lalithambika would brave the social taboos and emerge as a pan-Indian writer and social renaissance activist, even winning Kendra Sahitya Akademi awards.

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Fiction was her forte. It is in the form of short stories that Lalithambika found the full punch of her boundless imagination and compassion.

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She probably embraced every genre of literature, from poetry to Thiruvathirakali songs, plays to film scripts, and short stories to a full-fledged novel.

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The pro-British and anti-Gandhi elders of her husband’s family were hardly amused when she dedicated most of her gold jewellery at the feet of Gandhi.

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She worked against oppressive government regimes and caste structures. An unannounced boycott from the extended family led to livelihood issues.

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A turning point in her life was when her father took her to meet Sree Narayana Guru, at the age of seven.

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