Darling review: Oh darling, Telugu cinema deserves better

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By Srivathsan Nadadhur

Jul 19, 2024

Darling represents everything that’s wrong with Telugu cinema. It believes marriage is the ultimate goal in life.

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The dramedy borrows its premise from Aparichutudu (2005) and other similar films where the protagonist tolerates a partner with a peculiar condition.

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While in most films, it’s the woman who tolerates the man’s problems, Darling is about a man who stands up for his emotionally vulnerable partner, come what may.

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However, unlike the latter, Aswin Raam is no expert at comedy and struggles to handle the change of tonality in the treatment after the intermission. 

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Darling is superficial at every level, giving little time to establish the characters and their interpersonal relationships.

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Darling could’ve left you with a better aftertaste if the director at least made a sincere effort to explore Anandi’s backstory.

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It’s natural to expect something promising from Priyadarshi after Mallesham (2019), Balagam (2023), and Om Bheem Bush (2024), but Darling misses the bus by a wide margin.

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